Essays
Love and Form, Part I | by Emily Chun | July 28, 2026Scores for the Museum Visitor:—Or Not | by Anna Gregor | June 27, 2026
Image-Object: CrossLypka at Bureau | by Ian Myers | May 23, 2026
“Something Human is Up There”: Or, Why Film is not an Art | by Kid Twist | May 13, 2026
Raphael: Sublime Poetry | by Brock Riggins | May 10, 2026
Temporal Formalism | by Matthew Herriot | May 1, 2026
Why Paint? | by Candice T. Seymour | April 12, 2026
Manner and Technique: Noel de Lesseps at Entrance | by Anna Gregor | March 14, 2026
Reflections from a Dead End: Flora Yukhnovich’s Four Seasons at The Frick | by Eric Bayless-Hall | February 19, 2026
A Sense as Cold... On a Certain Higher Stupidity Among Critics | by Arnold Klein | February 9, 2026
The Consolation of Illustration: Dana Schutz | by Candice T. Seymour | January 17, 2026
Le Repas Frugal | by Emmet Elliott | January 6, 2026
Alla Prima Amnesia: Phoebe Helander at P·P·O·W | by Anna Gregor | December 15, 2025
Homage To— | by Arnold Klein | December 15, 2025
Perception and the Essay of Criticism | by Eric Bayless-Hall | December 15, 2025